The Good, the Bad, and the Cranky: A Review of Gran Torino
I tend to be cautious about movies produced and directed by their stars. Turning the camera on oneself begets temptations to egotism that few can completely resist. The worst of such films fetishize their leading men, and even the best, like Braveheart, feel a bit top-heavy. Mel Gibson might have be
11.23.2009| Books and Arts, Volume 5, Issue 1 | Jim Shirey
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